Mescal and Stormzy set for National Theatre shows | Breaking News & Latest UK Updates

Mescal and Stormzy set for National Theatre shows — Theatre audiences will get a double dose of Paul Mescal in 2027, after the Irish actor signed up for two productions at the National Theatre. The star...

Theatre audiences will get a double dose of Paul Mescal in 2027, after the Irish actor signed up for two productions at the National Theatre.

The star of Normal People and Gladiator II will appear in two classic 20th Century plays - Death of a Salesman and A Whistle in the Dark.

The shows are among a raft of new productions that were announced by the prestigious London venue's new artistic director Indhu Rubasingham on Tuesday.

Other stars coming to the National's stage over the next two years include recent Oscar nominee Monica Barbaro and Bridgerton's Nicola Coughlan, while rap artist Stormzy will collaborate with the theatre on a new production.

Rubasinghamwas named artistic directorin December 2023, taking over from Rufus Norris after his decade in charge.

The National's Lyttelton Theatre will return to a repertory model for the first time since 2020, meaning multiple shows will be staged concurrently featuring the same cast.

As part of a new repertory run,Paul Mescalwill make his National Theatre debut in Arthur Miller's Death of a Salesman and Tom Murphy's A Whistle in the Dark.

Despite having different settings and cultural backgrounds, bosses said the two shows shared common themes of dysfunctional family relationships and the weight of societal and familial expectations.

Mescal, who won an Olivier Award in 2023 for A Streetcar Named Desire, will play Biff Loman in Death of a Salesman. It has not yet been announced who will play the character's father Willy, who is central to the play.

US actressMonica Barbaro, recently nominated for an Oscar for playing Joan Baez opposite Timothee Chalamet in Bob Dylan biopic A Complete Unknown, will appear in a revival of romance drama Les Liaisons Dangereuses.

She and Poldark starAidan Turnerwill make their National Theatre debuts in the show alongsideLesley Manville.

Meanwhile, Derry Girls starSiobhán McSweeney, Bridgerton'sNicola Coughlanand The Sixth Commandement'sÉanna Hardwickewill appear together in John Millington Synge's Irish classic The Playboy of the Western World.

A new collaboration between the theatre and rap artistStormzywas also announced, but details have not yet been revealed.

It is a project Rubasingham first pitched as part of her application for the job, saying his involvement would make for a "cut-through show that goes beyond theatre".

After being appointed, Rubasingham joked she spent "six to eight months doggedly pursuing Stormzy and his team", and he came on board after visiting the building.

She said the project was "very exciting" and confirmed it would be "a piece with his music", but added: "I'm not saying more than that."

In a statement, Stormzy said he had "always been drawn to theatre" and said he and Rubasingham "properly hit it off" when they met. "I'm excited to go on this creative journey with her," he added.

Elsewhere, Black Panther starLetitia Wrightwill appear in The Story, a new play by US writer Tracey Scott Wilson about an ambitious black journalist who defies her editor to pursue an incendiary lead.

Other productions announced on Tuesday included:

Born in Sheffield and with Sri-Lankan heritage,Rubasingham is the seventh artistic directorsince the National was founded by Sir Laurence Olivier in 1963, and the first woman to hold the position.

Speaking to reporters on Tuesday, she pledged that the National's next chapter would be known for telling "bold stories in big ways, which cross continents, move hearts and open minds".

"It's making sure that audiences who love the National and have been going there for 40 or 50 years are still wanting to be part of it, as well as attracting audiences that don't feel welcome or don't know the National," she said.

Asked whether she would want the National to eventually return to the levels of repertory theatre being performed at the venue before the pandemic, Rubasingham replied: "If the finances allowed, it would be really wonderful.

"It is more expensive to rep," she noted, "but there are a lot of advantages in terms of taking riskier work, and allowing word of mouth."